This is the final part of our exhausting multi-part Armory review post. Hopefully, all of the details will be of use to collectors who want to follow up with specific galleries, or who just need a summary of the photography that was being shown. Parts 1, 2, 3, 4 and 5 can be found
here (part 1),
here (part 2),
here (part 3),
here (part 4) and
here (part 5). This post refers to the booths at Pier 92.
Galerie Daniel Templon (
here): James
Casebere (2)
Locks Gallery (
here): Eileen
Neff (2)
Alan Cristea Gallery (
here): Jan
Dibbets (9), Boo
Ritson (1). Having recently seen the
Dibbets show at Gladstone, I was happy to run across this grid of
Dibbets' color studies; they are bigger and bolder than I had imagined. The set is priced at $18500.
Wetterling Gallery (
here): Doug & Mike
Starn (8), Nathalia
Edenmont (5). The
Starn works are various views of a dense thicket of bamboo poles.
Springer & Winckler Galerie (
here): Arnold
Odermatt (8), Andy
Goldsworthy (3),
Bernd and
Hilla Becher (15 as one typology),
Sigmar Polke (3), Gerhard Richter (6
overpainted photographs), Bernhard Johannes
Blume (2 diptychs), John
Baldessari (1)
Galerie Michael Schultz (
here): Gilbert & George (1)
Bruce Silverstein Gallery (
here):
Shinichi Maruyama (1), Randy West (16),
Yao Lu (1), Martin
Denker (1), Michael Wolf (4), Todd
Hido (3), Maria
Antoinetta Mameli (1), Ryan
Weideman (9), Diane
Arbus (1),
Leonard Freed (3), Nathan Lyons (3), Rosalind Solomon (1),
André Kertész (4 black and white, 3 Polaroids), Aaron
Siskind (4 broken windows, 4 paint studies), Barbara Morgan (3), E.O.
Hoppé (5), Alfred Stieglitz (1), Marvin Newman (2 color, 12 black and white, including a grid of manhole covers), Frank
Paulin (4), Larry Silver (4), Walker Evans (2), and others. The
Silverstein booth was a tribute to 100 years of photography in New York (1910 to 2010), with time periods marked out in paint underneath each section. I was surprised to see the two large
Kertész prints (at right), as they were larger than any prints of his from Washington Square that I had ever seen. They were priced at $25000 and $20000 respectively.
Silverstein also had two early Walker Evans architectural/railroad studies (from the late 1920s) which would fit well into our collection.
Faría Fábregas Galería (
here): Marta
Minujin (1)
Winter Works on Paper (
here): Lee
Friedlander (2),
Weegee (4), Josef
Sudek (1), Arthur Tress (1), Ralph Eugene
Meatyard (2), James
Casebere (1), Andre
Villers (1), among many, many others, hung salon style.
Contessa Gallery (
here): David
Drebin (4), Chuck Close (2), Robert
Rauschenberg (1)
Sicardi Gallery (
here):
Geraldo de Barros (8). These conceptual prints by
de Barros were a discovery for me. The negatives were made in the late 1940s/early 1950s, and are full of gridded geometries and overlapping patterns. The prints are recent posthumous prints, made in editions of 15, priced between $8000 and $12000.
Gana Art (
here):
Jang Taewon (1
lightbox), Cindy Sherman (1 film still)
Mixografia (
here): John
Baldessari (1 set of 6 prints)
HackelBury Fine Art (
here): Garry Fabian Miller (7), Pascal Kern (6), Doug & Mike
Starn (1 triptych and 1)
Barry Friedman, Ltd. (
here): Michael Eastman (5 interiors, 2 abstractions), Man Ray (2), Sally Mann (1), Hans
Bellmer (1), Arno Rafael
Minkkinen (2)
.
Alan Koppel Gallery (
here): Constantin
Brancusi (1), Harry
Shunk (1), Robert Frank (2), Diane
Arbus (1),
Hiroshi Sugimoto (2 dioramas),
Vik Muniz (1), Adam Fuss (1)
Yancey Richardson Gallery (
here): Ed
Ruscha (10 gas stations), Julius
Shulman (1),
Sebastião Salgado (1),
Esko Mannikko (3), Sharon Core (2 still
lifes), Andrew Moore (2),
Hellen Van
Meene (3), Barbara
Kasten (5). The marginal picture at right doesn't do justice to the intricacies of
Kasten's recent glass studies; light and shadow play across the layers of glass, creating a network of subtle lines. This particular image is priced at $10500, in an edition of 5.
JGM Galerie (
here): Fred Wilson (5), Ion
Grigorescu (3)
Marc Selwyn Fine Art (
here): Richard
Misrach (2)
David Klein Gallery (
here): Liz Cohen (5)
Tomorrow: the last of our fair posts (until AIPAD), covering the 2010 ADAA Art Show.
4 comments:
I really liked the Bechers at Springer & Winckler Galerie. Stone Crushers are cool!
Did you happen to ask for a price?
Thanks for the big recap.
Kasten's recent work is some of the best I've ever seen in her prolific career. She's long overdue for a serious solo exhibition.
Unfortunately, I didn't get a price for the Becher typology. Sorry!
On Kasten, I agree; the recent abstract glass images really are spectacular.
Jan Dibbets - excellent!
Geraldo de Barros - thankyou for mentioning; I have never come across this work before.
I am a big fan of conceptual photography!
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