Comments/Context: South African photographer Gary Schneider’s recent hand print portraits are original examples of that elemental human urge to self-identify found in everything from the caves of Lascaux to a child’s pre-school finger paintings. His images connect to a long tradition of scientific and medical photography, where x-rays and photograms have been used extensively in investigating, categorizing, and documenting life forms of all kinds, and bridge into the artistic realm via reconsiderations of process, scale, and subject matter.
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Made by the simple gesture of a single left hand placed on light sensitive paper, Schneider’s portraits sparkle and glow as though lit from within. Areas of heat and sweat become ghostly auras of soft yellow and orange, and detailed fingerprints and skin undulations are transformed into whorls of bright lines and pinpricks of light. Enlarged to monumental size, the hands of various members of the South African artistic community are transformed into symbols of mysterious individuality, emitting a kind of throbbing electric power. The smaller sized prints have an entirely different feel; they seem intimate and expressive, the private touch of the artist as a singular personal gift. From Kentridge and Ballen to Goldblatt and Subotzky, individuality is captured in shimmering luminescence.
Collector's POV: The works in the exhibit are available in two sizes: the 50x40 prints are $11000 and the 10x8 prints are $3500. Schneider’s works have very little secondary market history, so gallery retail is likely the best option for interested collectors at this point.
Rating: * (one star) GOOD (rating system described here)
Transit Hub:
Through October 22nd
526 West 26th Street
New York, NY 10001
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