Showing posts with label Brett Weston. Show all posts
Showing posts with label Brett Weston. Show all posts

Monday, October 29, 2012

Brett Weston @Kasher

JTF (just the facts): A total of 73 black and white photographs, framed in black and matted, and hung against white walls in the divided North and South gallery spaces. All of the works are gelatin silver prints, made between 1920 and 1985. Most of the prints are vintage, and range in size from roughly 7x9 to 11x14 (or reverse). No edition information was available on the checklist. (Installation shots at right.)

Comments/Context: According to the press release, it's been more than a decade since the last time Brett Weston had a show in New York. The various galleries that have represented the estate have been skimming the cream off the archives for years now, so perhaps it was once again time for a set of fresh eyes to scour the flat files and storage boxes in search of some overlooked or under appreciated treasures. The exhibit that has emerged from this process has the thematic scope of a retrospective but with the feel of something slightly more jumbled and eccentric, with both known and unknown examples from sixty years of picture making densely mixed together on the walls.

Given his famous father, and even though Brett was appropriately labeled a child prodigy (and if you don't believe the label, search out the gnarled cypress trees made when he was 9 or the lily stalk from when he was 14, both on view here), I feel like Brett often gets taken for granted. Fairly or unfairly, his father's shadow is extremely long, and especially when they shot the same subject matter, it's nearly impossible to see Brett's work without making mind's eye comparisons to his father's. Brett was more routinely fond of high contrast, deeper blacks, and all-over abstraction (using natural forms), but crisp formalism and superlative, sometimes astonishing craftsmanship are never far from view, regardless of the subject matter and even when he drifts a little too far toward derivative cliche. This show includes a little of everything: dunes, cacti, and California desert landscapes, New York bridges, buildings, storefronts and city streets from the 1940s, vegetal forms and specimen trees from various locales, and visual abstractions made from ice, mud, rock formations, water drops, and smeared paint. In Brett's hands, climbing vines, air vents, hub caps, scrubby yucca, vertical poplars, and a black window, they all become bold sculptural motifs, and he had strong eye for compositions that were simultaneously pared down and complex.

Regular readers here will know I'm a lover of strict chronology, since I think it helps clarify how an artist has changed over time, so few will be surprised that I found the subject matter groupings here less effective in terms of showing Brett's overall aesthetic evolution. Many of his images also have the emotional volume turned up a notch or two via extended contrast, so they feel a bit cramped and manic when hung so close together as they are here. I'm guessing that this a result of wanting to unearth as many gems as possible, at the expense of giving the photographs more competition from their neighbors and a little less room to breathe.

In general, while this show doesn't teach us anything particularly new about the career of Brett Weston, I certainly enjoyed seeing such a robust sampler of his vintage work. Fans of 20th century Modernism and black and white excellence will find much to admire.

Collector's POV: The prints in the show are priced between $4000 and $20000, with most under $10000. Brett Weston's prints are routinely available in the secondary markets. Recent prices have ranged between $1000 and $66000, with the vast majority finding buyers under $10000.

Rating: * (one stars) GOOD (rating system described here)

Transit Hub:
  • Brett Weston archive (here)
Brett Weston
Through November 3rd

Steven Kasher Gallery
521 West 23rd Street
New York, NY 10011

Wednesday, July 22, 2009

Brett Weston sale @Levin Gallery on eBay

From time to time, being the manic collectors that we are, we check the Photography area on eBay to see what's up for sale. Surprisingly, there are often high quality photographs buried among all the offerings (patient sifting is required), and we have had luck in purchasing some items at very reasonable prices (AKA bargains) over the years.

In doing a quick check yesterday, I came upon a massive group of Brett Weston images up for sale at the Levin Gallery (here, Westons only, sorted by price highest first). According to the background information given there, in 1974-1975, Brett Weston made a set of portfolios of his work called the 100 Print Collection. A total of 10 of these portfolios were made, 6 of which went into public and private collections, the other 4 failed to sell and were broken up by Weston himself. (San Francisco Freeway, 1967, at right top, via Levin Gallery.)
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One of the portfolios that was in private hands has now come free, and the owner has decided to keep 9 of the images and sell the rest. Therefore, there are a staggering 91 Brett Weston images, all printed in the mid 1970s, up on sale right now. (Broken Window, San Francisco, 1937, at right bottom, via Levin Gallery.)

Normally, such a large group would swamp the market and drive prices down, so the typical eBay auction method is not being used. Instead, each lot has been given an anchor "Buy It Now" price and the option to "Make An Offer". The anchor prices vary between $3500 on the low end up to $15000 on the high end, with many in the $8000 range. The text however goes out of its way to remind potential bidders that "all reasonable offers will be considered", so clearly there is some flexibility to move prices downward. In general, the prices seem to reflect a gallery retail kind of price, rather than a secondary market auction price. My guess is that at auction many of these would go for plus or minus half the anchor price (or less). That said, there are quite a few unusual images in this group, some of which we have never seen, so scarcity may play a role in keeping prices higher.
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In any case, if Brett Weston is your thing, or you've always wanted to own one, now is a great time to see a large group together and potentially pick off one or more fine prints at a reasonable price.
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Levin Gallery eBay store (here)