Showing posts with label Olaf Breuning. Show all posts
Showing posts with label Olaf Breuning. Show all posts

Tuesday, October 25, 2011

Olaf Breuning, The Art Freaks @Metro Pictures

JTF (just the facts): A total of 22 large scale color photographs, framed in back and unmatted, and densely hung in the small, single room gallery space upstairs. All of the works are c-prints made in 2011, each 75x34 and printed in editions of 3. (Installation shots at right.)
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Comments/Context: Olaf Breuning's larger-than-life-sized, body painted nudes in homage to famous artists are the artistic equivalent of the street corner performer dressed as the Statue of Liberty: they're instantly recognizable, clever and entertaining, but ultimately pretty light fare. Using male and female bodies as his canvas, he's painted each one either as an exaggerated copy of a well-known work, a visual appropriation of the artist's style, or a riff on a thematic idea used by that particular artist. They're a little like the endless stream of Van Gogh tote bags, umbrellas, scarves, and t-shirts found at museums - a readily identifiable re-interpretation of "high" art in a different form.
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This isn't to say that it isn't fun to circle the gallery and discover the connection in each one. In the "famous artwork" category, there's Munch's The Scream, Man Ray's Le Violon D'Ingres, and Jasper John's Flag. Those primarily done as a stylistic homage include Yves Klein (all in blue), Damien Hirst (colored polka dots), Francis Bacon (distorted body parts), and Jackson Pollock (drips) among many others. And thematically, Louise Bourgeois is covered by a black spider and Andy Warhol is dripping with banana peels. Each and every picture is witty recreation, some more "insider" to the art world than others. By the way, the only other photographer (besides Man Ray) included in this parade is Cindy Sherman, and this got me thinking about how it is much more difficult to pigeon-hole photographers by a simplistic visual shorthand, especially those whose work is not primarily about a signature style.

In any event, Breuning's tributes are certainly playful and amusing, in a teasing manner sure to evoke a smile or a chuckle. This makes them hard to take seriously as anything more than a send-up, but their mischievous joy is hard to resist.

Collector's POV: The photographs in this show are each priced at $18000. Breuning's works have very little secondary market history, so gallery retail is likely the only option for interested collectors at this point.

Rating: * (one star) GOOD (rating system described here)

Transit Hub:
Through October 29th

Metro Pictures
519 West 24th Street
New York, NY 10011

Friday, November 13, 2009

Olaf Breuning: Small Brain Big Stomach @Metro Pictures

JTF (just the facts): The entry and first two large gallery spaces are filled with Breuning's monochrome wood sculptures and wall drawings. The third gallery contains the photography: a total of 11 color images, spotlit and hung against black walls. Eight of the works are framed in black with no mat; they are printed in editions of 3 and are all 25x33. The other 3 works are much larger (each 62x77, also printed in editions of 3), and are framed in white with no mat. All of the images are c-prints mounted on sintra and were made in 2009. (Installation shots at right.)

Comments/Context: While the main attractions in this playful exhibit are Breuning's quirky, childlike sculptures and wall drawings, the real reason I came was for the photography (no surprise there I'm sure). In these images, Breuning has been experimenting with paint in primary colors (red, blue, yellow, and green), laid against contrasting black and white backgrounds; the photographs are documents of the results.
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The smaller images in the show all begin with a black palette and indistinct black backgrounds. Many use models painted/clothed entirely in black (with black hair/wigs) who are then variously splattered with blotches of the primary colors. There are alternately colored painted faces (eyes and mouths), figures covered in paint ball polka dots, a reclining nude with bold stripes poured over her body, and model moving her arms like a snow angel, smearing the colored paint across the wall. The interleaved images are long stripes of dripped paint in alternating colors, one with a series of concentric circles scratched in the center. The final black-based image depicts bubbles, flying through lights in the same four primary colors.

The larger works are all variations on the idea of a geometric wood grid, painted white against a white background wall, and then sprayed and splattered in bright color, either by painting in horizontal lines (creating a plaid, interwoven effect) or by dripping blobs of color onto the grid (as seen from both the front and back). To my eye, these abstractions are reminiscent of the energetic all-over feel of Mondrian's Broadway Boogie Woogie (here), and are generally more successful than the black pictures.

Breuning calls these photographs "color studies", and indeed, that's what they feel like - explorations into the nature of color and how it reacts in different situations. The bold and patterned images are light-hearted and fun, just like the wild sculptures and striking drawings in the nearby galleries.

Collector's POV: The photographs in this show are priced based on size: the smaller ones are $8000 and the larger ones are $15000. Breuning's photographs have been only intermittently available in the secondary markets; prices have ranged between approximately $1000 and $5000.

Rating: * (one star) GOOD (rating system described here)

Transit Hub:

  • Artist site (here)
  • Video interview @Cool Hunting (here)
Olaf Breuning: Small Brain Big Stomach
Through December 5th

Metro Pictures
519 West 24th Street
New York, NY 10011